For a junior pursuing a degree in English with no plans for his future, living in the present is far better than the alternative.
A modestly-sized oil on canvas, (1912), estimated at $150,000 – $200,000, was painted the first year that Thomson visited Algonquin Park where his most iconic works would be created, and ironically the site of his untimely death in 1917, exactly 100 years ago this July.
“It’s an incredible time for Canadian art as we celebrate our country’s sesquicentennial, alongside unprecedented growth and global attention for painters such as Tom Thomson, Lawren Harris and the Group of Seven and now a feature film about Maud Lewis’s life — combining to reinvigorate the public’s fascination and appreciation for Canadian artists,” says Lydia Abbott, Vice President, Consignor Canadian Fine Art.
Don't get us wrong; this genius has made one film per year since 1977, so he can be excused for repeating a nugget or two.
Still, enough already with the Freud references, Woody!
The iconic image depicting a neighbour’s orchard, painted from the view of his studio in present-day North York, Ontario, was used as the catalogue cover for Carmichael’s memorial exhibition at the Art Gallery of Toronto (now the AGO) and the Summer 1947 issue of Canadian Art Magazine, following his death.